My poem today is a rewrite I felt was needed of a version posted in April of 2023. Also needed was an introduction to the inspiring German photographer, Peter Keetman (1916-2005), who was a founding member of a post-war group of photographers called fotoform. The name, ‘photo’ + ‘form’, gets at the spirit of the group, as you might discern from the image above, also the case in an extensive collection of his work, all of it amazing, to be found here.
morning on the diving raft
A boy aloft
absorbs the slivers
of a newly risen sun
looks for a ship
to break the horizon or
beneath a swell
the tail-flick
the gleaming breast
of a mermaid
Below
another boy
we see
wrapped
in cool shade
gazes into
the blackness
the widening mirror
of his own eyes
The rest remain still
hushed
as if a lifetime older
than they are
girls barely aware
of a destiny
boys bowed
intent on doing
nothing more
But we remark too
the one who knows fear
there on the low board
who toes the edges
his knees bent
a trembling hand
to his mouth
This being
the first time
he has been
so exposed
his memory
edged closer
toward the source:
how he knows
the way an ocean
might ebb
and never flow
depths that expel
monsters and lovers
we've only ever heard of
swollen rivers
coursing incessantly
beneath and through
the abyss
in wait and
beckoning
Very good and evocative, thanks.
Fascinating. Especially the effective impact of the two photos, the full and cropped, reeling us into the our destinies' inescapable creels. I guess I may have started subscribing to MAN OF ARAN a year before poking the prow of my canoe, THE GOAT'S MIRROR, into Substack's fraught and teeming waters, but I'm immensely impressed with how your work evolved over the past two years, in control of its focus and depth. Cheers!